A plane crashes on an uninhabited island and the only survivors, a group of schoolboys, assemble on the beach and wait to be rescued. By day they inhabit a land of bright fantastic birds and dark blue seas, but at night their dreams are haunted by the image of a terrifying beast.

In this, his first novel, William Golding gave the traditional adventure story an ironic, devastating twist. The boys' delicate sense of order fades, and their childish fears are transformed into something deeper and more primitive. Their games take on a horrible significance, and before long the well-behaved party of schoolboys has turned into a tribe of faceless, murderous savages.

First published in 1954, Lord of the Flies is now recognized as a classic, one of the most celebrated of all modern novels.

William Golding's Lord of the Flies is a dystopian classic: 'exciting, relevant and thought-provoking' (Stephen King). When a group of schoolboys are stranded on a desert island, what could go wrong? 'One of my favorite books - I read it every couple of years.' (Suzanne Collins, author of The Hunger Games) A plane crashes on a desert island. The only survivors are a group of schoolboys. By day, they discover fantastic wildlife and dazzling beaches, learning to survive; at night, they are haunted by nightmares of a primitive beast. Orphaned by society, it isn't long before their innocent childhood games devolve into a savage, murderous hunt ... 'Stands out mightily in my memory ... Such a strong statement about the human heart.' (Patricia Cornwell) 'Terrifying and haunting.' (Kingsley Amis) 'Beautifully written, tragic and provocative.' (E. M. Forster) ONE OF THE BBC'S ICONIC 'NOVELS THAT SHAPED OUR WORLD' What readers are saying: 'Every real human being should read this ... This is what we are.' 'It's brilliant, it's captivating, it's thought provoking and brutal and for some, its truly terrifying.' 'It can be read and re-read many times, and every time something new will appear.' 'There is a reason why this is studied at school ... Excellent read.' 'This is one of the few books I've read that I keep on my Kindle to read again.' 'I revisit this every few years and it's always fresh and impressive ... One of the best books I've ever read.'

This dystopian classic is 'exciting, relevant and thought-provoking' (Stephen King). When a group of schoolboys are stranded on a desert island, what could go wrong? ONE OF THE BBC'S '100 NOVELS THAT SHAPED OUR WORLD' 'The first book with hands - strong ones that reached out of the pages and seized me by the throat. It said to me, 'This is not just entertainment; it's life or death.' ... I've been thinking about it ever since, for fifty years and more.' Stephen King 'One of my favorite books - I read it every couple of years.' Suzanne Collins, author of The Hunger Games What are we? Humans? Or animals? Or savages? What's grown-ups going to think? Going off-hunting pigs-letting fires out-and now! A plane crashes on a desert island. The only survivors are a group of schoolboys. By day, they explore the dazzling beaches, gorging fruit, seeking shelter, and ripping off their uniforms to swim in the lagoon. At night, in the darkness of the jungle, they are haunted by nightmares of a primitive beast. Orphaned by society, they must forge their own; but it isn't long before their innocent games devolve into a murderous hunt ... 'Thrills me with all the power a fiction can have ... Exemplary.' Ian McEwan 'An existential fable backlit with death's incandescent glare.' Ben Okri 'Violently real ... An apocalyptic novelist [who writes with] humanist rage and defiance.' Marlon James 'Beautiful and desperate, something quite out of the ordinary.' Stevie Smith 'Beautifully written, tragic and provocative.' E. M. Forster 'A fragment of nightmare.' New Statesman 'A post-apocalyptic, dystopian survivor-fantasy ... [A novel] for all time ... A cult classic.' Guardian 'Stands out mightily in my memory ... Such a strong statement about the human heart.' Patricia Cornwell 'Terrifying and haunting.' Kingsley Amis What readers are saying: 'Every real human being should read this ... This is what we are.' 'It's brilliant, it's captivating, it's thought provoking and brutal and for some, its truly terrifying.' 'It can be read and re-read many times, and every time something new will appear.' 'There is a reason why this is studied at school ... Excellent read.' 'This is one of the few books I've read that I keep on my Kindle to read again.' 'I revisit this every few years and it's always fresh and impressive ... One of the best books I've ever read.'

First published in 1954, William Golding's debut novel, now a classic, is a stark story of survival, probing the depths of human nature, and what happens when civilization collapses. As dystopian stories like The Hunger Games and Battle Royale surge in popularity, this haunting tale of a group of young boys stranded on a desert island still captivates schoolchildren around the world, raising timeless and profound questions about how easily society can slip into chaos and savagery when rules and order have been abandoned.

This new educational edition provides supplementary material, chapter summaries, discussion questions and additional teaching resources to help guide students and support teachers throughout the text.

When a plane crashes on a remote island, a group of schoolboys are the sole survivors. As the reality of their situation sets in, the boys attempt to establish control and their world gradually descends into brutal savagery. As Catcher in the Rye became the classic coming-of-age tale, Lord of the Flies is the classic story of innocence lost.

A teacher himself, Golding clearly understood how to interest children with a gripping story and strong, sympathetic characters. The novel serves as a catalyst for thought-provoking discussion and analysis of universal issues, not only concerning the capabilities of humans for good and evil and the fragility of moral inhibition, but beyond. The boys' struggle to find a way of existing in a community with no fixed boundaries invites readers to evaluate the concepts involved in social and political constructs and moral frameworks. Symbolism is strong throughout, revealing both the boys' capacity for empathy and hope, as well as illuminating the darkest corners of the human spirit. Ideas of community, leadership, and the rule of law are called into question as the reader has to consider who has a right to power, why, and what the consequences of the acquisition of power may be. All of these concerns are current today and can be easily related to the novel through effective teaching and learning.

This new educational edition encourages original and independent thought from students, as well as guiding them through the text. The supplementary material includes a biographical section on William Golding, and his own interpretive essay 'Fable' on Lord of the Flies, as well as providing information about the novel's historical context, which will be ideal for students completing GCSE and A-Level courses as well as those studying the novel worldwide. At the end of the text there are chapter summaries, comprehension questions, discussion points and activities plus a glossary of less familiar words or phrases. All of these are intended to inspire and generate creative teaching, learning and love of the novel.

Since it was first published in 1954, William Golding's classic debut novel has remained a stark allegory of civilization, survival, and human nature. As dystopian stories like Hunger Games and Battle Royale surge in popularity, this haunting tale of a group of young boys stranded on a desert island still captivates schoolchildren around the world, raising timeless and profound questions about how easily society can slip into chaos and savagery when rules and order have been abandoned.

When a plane crashes on a remote island, a small group of schoolboys are the sole survivors. From the prophetic Simon and virtuous Ralph to the lovable Piggy and brutish Jack, each of the boys attempts to establish control as the reality- and brutal savagery-of their situation sets in.

A teacher himself, Golding clearly understood how to interest children with a gripping story and strong, sympathetic characters. The novel serves as a catalyst for thought-provoking discussion and analysis of universal issues, not only concerning the capabilities of humans for good and evil and the fragility of moral inhibition, but beyond.

The boys' struggle to find a way of existing in a community with no fixed boundaries invites readers to evaluate the concepts involved in social and political constructs and moral frameworks. Symbolism is strong throughout, revealing both the boys' capacity for empathy and hope, as well as illuminating the darkest corners of the human spirit. Ideas of community, leadership, and the rule of law are called into question as the reader has to consider who has a right to power, why, and what the consequences of the acquisition of power may be.

Often compared to Catcher in the Rye, Lord of the Flies also represents a coming-of-age story of innocence lost.

Dr Bhimrao R. Ambedkar (1891-1956) was one of India's greatest intellectuals and social reformers; his political ideas continue to inspire and mobilise some of the world's poorest and most socially disadvantaged, in India and the global Indian diaspora. Ambedkar's thought on labour, legal rights, women's rights, education, caste, political representation and the economy are international in importance. This book explores his lesser-known period of London-based study and publication during the early 1920s, presenting that experience as a lens for thinking about Ambedkar's global intellectual significance. Some of his later canon on caste, and Dalit rights and representation, was rooted in and shaped by his earlier work around the economy, governance, labour and representation during his time as a law student and as a doctoral candidate at the London School of Economics. The Indian diaspora in the UK is the country's single largest national minority. This volume connects Ambedkar's influence during his lifetime, and his legacy today, to this early phase of his career and intellectual life in London, and its immediate aftermath. It contains new material on the establishment of the city's Ambedkar Museum, explores Britain's Ambedkarite movement, and charts the campaign to outlaw caste discrimination in the UK.

Follow young Oliver's rebellious coming-of-age in the village of Stillbourne in this comic novel by the radical Nobel Laureate and author of Lord of the Flies, introduced by Penelope Lively. Eighteen is a good time for suffering Welcome to the country town of Stillbourne. Restless teenage resident Oliver wants to enjoy himself before going to university, beginning with his pursuit of the Town Crier's daughter. But in this claustrophobic community - stifled by the English class system, and where everybody knows everyone's business - love, lust and rebellion are closely followed by revenge and embarrassment . . . 'The great unbreakable wild horse of the 1960s British literary stable.' Rose Tremain 'A triumph of economy and pungent effect; a brilliant insight into the social rigidity of English provincial life ... A scathing, funny, occasionally tragic revenge on a time and a place.' Penelope Lively 'Golding depicts with subtle skill all the pains of growing up and growing old. He treats us to some superb comic episodes.' Daily Telegraph 'Golding's most approachable novel and a curiously personal one, that returns to the mind again and again as if the shames and idylls were one's own.' Guardian 'Neatly drawn, funny and touching . . . The snap, the tang, and the tension in Golding's prose is always a pleasure.' Harper's

'Visionary.' Bettany Hughes 'Tremendous.' Ben Okri 'Luminous.' Rose Tremain Even when he leapt from the parapet he talked. Ancient Egypt. The Prince is set to marry Pretty Flower, his sister, in the Great House's incestuous society. But the Liar speaks a truth that transforms everything . A primitive matriarchal society. While mothers raise children in the bucolic Place of Women, Chimp is tormented by the Leopard Men in their brutal hunts, until he gains new wisdom . Imperial Rome. In an era of invention and exploration, the emperor realises he loves his illegitimate grandson more than his own loutish heir .

'A complex literary comedy from an extraordinarily powerful writer,.' Malcolm Bradbury 'The great unbreakable wild horse of the 1960s British literary stable.' Rose Tremain 'Rich as a compost heap.' Melvyn Bragg Join an eccentric novelist on the run from his obsessive would-be biographer in this comic farce by the radical Nobel Laureate and author of Lord of the Flies. Why should I conceal the fact that I had found a full professor of Eng. Lit. rifling my dustbin? Fame, fortune, alcoholism, a failing marriage: for novelist Wilfred Barclay, his final unbearable irritation is his would-be-biographer, the young academic Professor Rick L. Tucker, who is determined to become The Barclay Man. Locked in a lethal relationship, the two men stumble across Europe, shedding wives, self-respect and identities in a game of literary cat and mouse - and the climax of their odyssey, when it comes, is as inevitable as it is unexpected . . .

Religion and Conflict in Modern South Asia is one of the first single-author comparisons of different South Asian states around the theme of religious conflict. Based on new research and syntheses of the literature on 'communalism', it argues that religious conflict in this region in the modern period was never simply based on sectarian or theological differences or the clash of civilizations. Instead, the book proposes that the connection between religious radicalism and everyday violence relates to the actual (and perceived) weaknesses of political and state structures. For some, religious and ethnic mobilisation has provided a means of protest, where representative institutions failed. For others, it became a method of dealing with an uncertain political and economic future. For many it has no concrete or deliberate function, but has effectively upheld social stability, paternalism and local power, in the face of globalisation and the growing aspirations of the region's most underprivileged citizens.

'Marvellous.' A.S. Byatt 'Astonishing.' John Gray 'Luminous.' Rose Tremain I could take whichever I would of these paths. Sammy Mountjoy is an artist who has risen from poverty to see his pictures hung in the Tate Gallery. Swept into World War II, he is captured as a German prisoner of war, threatened with torture and locked in a cell of total darkness. He emerges transfigured by his ordeal, realising how his choices have made him the author of his life, interrogating religion and rationality, early loves and formative beliefs - and questioning freedom itself.

The destinies of three mysterious lost children entwine in this James Tait Black Memorial Prize-winning fable by the radical Nobel Laureate and author of Lord of the Flies, introduced by Nicola Barker. A figure had condensed out of the shuddering backdrop of the glare. He is born in fire: a naked child in the blood-red flames of London's Blitz. Miraculously saved but grotesquely burned, this mysterious orphan is named Matty. Doomed to a life of torment, he becomes a wanderer, a spiritual seeker after unknown redemption. They are also lost children: neglected twins, as exquisitely beautiful as they are loveless and sinful. Toni explores political terrorism; Sophy, sexual dominance and violent criminality. But their destinies will soon collide in an apocalyptic climax - one that illuminates the inner and outer darkness of modern humanity. 'Exceptional ... Irresistibly transcendent ... Golding seduces us, transfixes, bewitches and confounds us.' Nicola Barker 'The most powerful, and strangest, of all Golding's novels, and one of the great masterpieces of the twentieth-century.' Philip Hensher 'A master craftsman in [his] magic ... Golding's best book ... Wonderfully creepy.' London Review of Books 'A vision of elemental reality so vivid we seem to hallucinate the scenes ... Magic.' NYTBR 'One of the most moving books I've ever read.' The Times

A plane crashes on a desert island and the only survivors, a group of schoolboys, assemble on the beach and wait to be rescued. By day they inhabit a land of bright fantastic birds and dark blue seas, but at night their dreams are haunted by the image of a terrifying beast.

In 1962, the Commonwealth Immigrants Act hastened the process of South Asian migration to postcolonial Britain. Half a decade later, now is an opportune moment to revisit the accumulated writing about the diasporas formed through subsequent settlement, and to probe the ways in which the South Asian diaspora can be re-conceptualised. Writing the City in British Asian Diasporas takes a fresh look at such matters and will have multi-disciplinary resonance worldwide. The meaning and importance of local, multi-local and trans-local dynamics is explored through a devolved and regionally-accented comparison of five British Asian cities: Bradford, the East End of London, Manchester, Leicester and Birmingham. Analysing the 'writing' of these differently configured cities since the 1960s, its main focus is the significant discrepancies in representation between differently-positioned texts reflecting both dominant institutional discourses and everyday lived experiences of a locality. Part I offers a comprehensive, yet still highly contested, reading of each city's archives. Part II examines how the arts and humanities fields of History, Religion, Gender and Literary/Cultural Studies have all written British Asian diasporas, and how their perspectives might complement the better-established agendas of the social sciences. Providing an innovative analysis of South Asian communities and their multi-local identities in Britain today, this interdisciplinary book will be of interest to scholars of South Asian Studies, Migration, Ethnic and Diaspora Studies, as well as Sociology, Anthropology, and Geography.

A new one-volume edition of this classic sequence of sea novels set in the early nineteenth century, about a voyage from England to Australia. Rites of Passage (Winner of the Booker Prize) 'The work of a master at the full stretch of his age and wisdom.' The Times Close Quarters 'A feat of imaginative reconstruction, as vivid as a dream.' Daily Mail Fire Down Below 'Laden to the waterline with a rich cargo of practicalities and poetry, pain and hilarity, drama and exaltation.' Sunday Times

Offering a fresh approach to the issue of government and administrative corruption through 'everyday' citizen interactions with the state, this book explores changing discourses and practices of corruption in late colonial and early independent Uttar Pradesh, India. The author moves away from assumptions that the state can primarily be associated with the top levels of government, and looks at citizens' approaches to local level bureaucracies and police. The central argument of the book is that deeply 'institutionalised' corruption in India could only have come about through the exercise of particular long term customs of interaction between agencies of the state - government servants and police, and their interactions with local politicians. Because the social hierarchies that condition such interactions are complicated by individual and family connections to state employment, periods of traumatic state transformation lead to a reconfiguration in the meaning of corruption in the local state. Based on principal primary sources and extensive field interviews, this book will be of interest to academics working on political science and Indian and South Asian history.

Before "The Hunger Games" there was "Lord of the Flies"!

Lord of the Flies remains as provocative today as when it was first published in 1954, igniting passionate debate with its startling, brutal portrait of human nature. Though critically acclaimed, it was largely ignored upon its initial publication. Yet soon it became a cult favorite among both students and literary critics who compared it to J.D. Salinger's The Catcher in the Rye in its influence on modern thought and literature.

Labeled a parable, an allegory, a myth, a morality tale, a parody, a political treatise, even a vision of the apocalypse, Lord of the Flies has established itself as a true classic.

When "Lord of the Flies" appeared in 1954 it received unprecedented reviews for a first novel. Critics used such phrases as "beautifully writeen, tragic and provocative... vivid and enthralling... this beautiful and desperate book... completely convincing and often very frightening... its progress is magnificient... like a fragment of nightmare... a dizzy climax of terror... the terrible spell of this book..." E.M. Forster chose it as the Outstanding Novel of the Year. "Time and Tide" touched upon perhaps the most important facet of this book when it said, "It is not only a first-rate adventure but a parable of our times, " and articles on this and subsequent Golding novels have stressed these twin aspects of Golding: a consummate control of the novel form, and a superb all-encompassing vision of reality which communicates itself with a power reminiscent of Conrad.

The 1947 Partition had a major impact on issues of citizenship and rights in India and Pakistan in the decades that followed. Boundaries of Belonging shows how citizenship evolves at a time of political transition and what this meant for ordinary people, by directing attention away from South Asia's Partition 'hotspots' - Bengal and Punjab - to Partition's 'hinterlands' of Uttar Pradesh and Sindh. The analysis, based on rich archival research and fieldwork, brings out commonalities, differences, and the mutual co-construction of the 'citizen' in both places. It also reveals the way in which developments across the border, such as communal violence, could directly impact on minority rights in its neighbour. Questioning stereotypes of an increasingly 'authoritarian' Pakistan and 'democratic' India, Sarah Ansari and William Gould make a major contribution to recent scholarship that suggests the differences between India and Pakistan are overstated.

Meet the Oracle of Delphi in ancient Greece in this transporting tale of the classical world by the radical Nobel Laureate and author of Lord of the Flies, introduced by Bettany Hughes. Did I believe in what I was doing? Or rather, since I was doing nothing, did I believe in what someone, something was doing to me? It begins with the half-burnt fish, miraculously restored to life, and the healing of the ill child. Young Arieka is an unloved misfit, but as rumours of her spiritual powers reach the High Priest of Apollo, her life is transformed. She is taken to Delphi to become a Pythia: a mouthpiece for the god Apollo, an oracle uttering riddling prophecies from a smoky cave to frenzied crowds. But when this role is dramatically thrust upon her, the priestess must navigate political conspiracy and the threat of the Romans to preserve her belief - and sanity. 'A remarkable work ... A compelling storyteller as well as a clear-eyed philosopher of the dangerous puzzles of being human.' The Timesx 'A marvellously apt surprise ... Will excite, tantalize and enthral Golding devotees.' Sunday Times 'Most brilliantly and hair-raisingly evoked.' Sunday Telegraph 'A wonderful central character. The story stretches out as clean and dry and clear as the beach in Lord of the Flies.' Independent

In 1962, the Commonwealth Immigrants Act hastened the process of South Asian migration to postcolonial Britain. Half a decade later, now is an opportune moment to revisit the accumulated writing about the diasporas formed through subsequent settlement, and to probe the ways in which the South Asian diaspora can be re-conceptualised.

Writing the City in British Asian Diasporas takes a fresh look at such matters and will have multi-disciplinary resonance worldwide. The meaning and importance of local, multi-local and trans-local dynamics is explored through a devolved and regionally-accented comparison of five British Asian cities: Bradford, the East End of London, Manchester, Leicester and Birmingham. Analysing the writing of these differently configured cities since the 1960s, its main focus is the significant discrepancies in representation between differently-positioned texts reflecting both dominant institutional discourses and everyday lived experiences of a locality. Part I offers a comprehensive, yet still highly contested, reading of each city s archives. Part II examines how the arts and humanities fields of History, Religion, Gender and Literary/Cultural Studies have all written British Asian diasporas, and how their perspectives might complement the better-established agendas of the social sciences.

Providing an innovative analysis of South Asian communities and their multi-local identities in Britain today, this interdisciplinary book will be of interest to scholars of South Asian Studies, Migration, Ethnic and Diaspora Studies, as well as Sociology, Anthropology, and Geography."

Introduced by Kate Mosse, lose yourself in an epic naval journey in the final novel in the Booker Prize-winning historical fiction Sea Trilogy by the author of Lord of the Flies. I think there has been death in my hands. On the last stretch of its epic voyage from England to Australia, a disintegrating warship inches towards land. But there are still trials ahead, as the vessel is smashed against an ice cliff and blasted by a great storm, while the claustrophobic passengers battle erotic desires, masculine rivalry and violent power struggles - all experiencing a sea change in their natures. And when an unseen fire begins to smoulder below decks, the other side of the world has never seemed further away ... 'Fantastic ... Gems tumble off the pages ... A strong sense of drama ... Much of the pleasure of reading his work is his original imagery.' Annie Proulx 'A truly noble achievement'. Patrick O'Brien 'The best novel I've read this year ... The language fizzes and spits.' Daily Telegraph 'Reeks and resounds with authenticity ... The epic imaginative enterprise [is] as formidable a feat as the year-long odyssey it charts.' Sunday Times 'Golding writes the past as present [with] uncanny skill and tremendous intuition.' Ben Okri To The Ends of the Earth: A Sea Trilogy - Book Three

Offering a fresh approach to the issue of government and administrative corruption through 'everyday' citizen interactions with the state, this book explores changing discourses and practices of corruption in late colonial and early independent Uttar Pradesh, India. The author moves away from assumptions that the state can primarily be associated with the top levels of government, and looks at citizens' approaches to local level bureaucracies and police. The central argument of the book is that deeply 'institutionalised' corruption in India could only have come about through the exercise of particular long term customs of interaction between agencies of the state - government servants and police, and their interactions with local politicians. Because the social hierarchies that condition such interactions are complicated by individual and family connections to state employment, periods of traumatic state transformation lead to a reconfiguration in the meaning of corruption in the local state. Based on principal primary sources and extensive field interviews, this book will be of interest to academics working on political science and Indian and South Asian history.